EXORDIUM intimating in a succession of choice and pregnant phrases, the drift of the Epistle; a condensed summary of the coming argument. It briefly anticipates the views to be set forth in the sequel, of the revelation of God in Christ excelling far, and being destined to supersede, all that had preceded it, as being the ultimate Divine manifestation in the SON, according to the full meaning of the term involved in ancient prophecy;—of the eternal Divinity of him who was thus revealed in time as SON—of his accomplishing, as such, the reality signified by the ancient priesthood; and of his exaltation, as such, to his predestined glory and dominion on high.
We find in the introduction to some of St. Paul's Epistles somewhat similar adumbrations of his subject, but none so finished and rhetorical as this. And if its style affords an argument, as far as it goes, against the immediate Pauline authorship of the Epistle, still more does it appear almost conclusive against the view of its being a translation.
Not merely the alliteration in πολυμερῶς καὶ πολυτρόπως, but the Greek structure of the whole with its rhythmical flow, betokens an original composition. The rolling music of the language cannot, of course, be reproduced in an English translation.