The south gate of the inner court. The construction and measurements of this corresponded with those of the gates in the outer court, with only two points of difference, viz. that it possessed a flight of eight steps instead of seven, and that the arches, or wall-projections, were toward the outer court.
The difference in the number of the steps was doubtless of symbolic significance, and pointed not only to the higher sanctity in general which attached to the inner court, but to the truth that, as one approached the dwelling-place of Jehovah, an increasing measure and degree of holiness were demanded—what Plumptre styles "an ever-ascending sursum corda."
The seven steps of the outer door added to the eight steps of this amount to fifteen, with which corresponds the number of the pilgrim-psalms, which are supposed to have been sung, one upon each step, by the choir of Levites as they ascended first into the outer and then into the inner court.
The statement that the wall-projections were towards the outer court showed that, in walking through the inner gateway, one would reverse the order of the outer gate, i.e. would first pass through the porch, then cross the threshold to the guard-rooms, next step upon the second threshold, and finally enter the inner court.