Miriam answered them. Miriam, with her chorus of women, answered the chorus of men, responding at the termination of each stanza or separate part of the ode with the refrain, "Sing ye to the Lord," etc. (See the "Introduction" to this chapter.) While responding, the female chorus both danced and struck their tambourines. This use of dancing in a religious ceremonial, so contrary to Western ideas of decorum, is quite consonant with Oriental practice, both ancient and modern. Other examples of it in Scripture are David's dancing before the ark (2 Samuel 6:16), the dancing of Jephthah's daughter ( 11:34), and that of the virgins of Shiloh ( 21:21). It is also mentioned with approval in the Psalms (Psalms 149:3; el. 4). Dancing was practised as a religious ceremony in Egypt, in Phrygia, in Thrace, by the Phoenicians, by the Syrians, by the Romans, and others. In the nature of things there is clearly nothing unfitting or indecorous in a dedication to religion of what has been called "the poetry of gesture." But human infirmity has connected such terrible abuses with the practice that the purer religions have either discarded it or else denied it admission into their ceremonial. It still however lingers in Mohammedanism among those who are called "dancing dervishes," whose extraordinary performances are regarded as acts of devotion.
HOMILETICS